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  Aquarelles Empire          

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My Paintings

   Singapore River - Boat Quay

 

MY PAINTING ZONE PAINTINGS  BY YEAR   TOPICS UPDATES     1 2009- Bali, China, Pulau Seribu, Galaxy      2   2010   3  2011 & 2012  4 2013    5  2014   6     2015 & 2016   7   2017    8     2018      9     2019   10     2020    11   2021     12      2022   13 2023 14 2024 15 2025                    1     LANDSCAPE AND PERSONAL 2009 Bali- Pura Processions   China impressions   Galaxy Pulau Seribu - Thousand islands off Java Reflections   The 7 apostles   Spring time   Destroyer     Warrior girl   Jabez & Rapha      2     2010 WRSJ in the forest   Jabez fighter jets   4 birds in a family       3     2011 & 2012 At Botanical Garden Goldcoast - Broad beach       4       2013   Eagles at Rainforest Ec before construction     5      2014 The 5 elements -   Generating Interactions The generating interactions of the five elements are like the conception, gestation, birth, and nurture relationship between a mother and a baby. Such element pairs are deeply attached, and together imply success and luck. The five generating interactions are fueling, forming, containing, carrying, and feeding: ·                          Wood fuels fire. ·                          Fire forms earth (volcanoes, ash, etc.). ·                          Earth contains metal. ·                          Metal carries water (buckets, pipes, etc.). ·                          Water feeds wood (trees, plants, etc.). Overcoming Interactions The overcoming interactions of the five elements are like the acts of hostility between two sides in a war. The five overcoming interactions are melting, penetrating, separating, absorbing, and quenching: ·                          Fire melts metal ·                          Metal penetrates wood (chopping, sawing, drilling, nailing, screwing). ·                          Wood separates earth (tree roots breaking up soil/rock). ·                          Earth absorbs water. ·                          Water quenches fire.   Celebrating National Day at Istana     6       2015 & 2016   Horses - the conflict       Jia Jia and Kai kai     WRJ golf at driving range       7      2017 First attempt at portraits           Java - Balemong - Semarang Qi Qi Ha Er - Cranes Burano- Venice Italy Genghis Khan- Hulun Beir Grassland      8        2018   Temple Mount and Western Wall     9       2019   Cesky Krumlov - Czech Hallstatt - Austria    10     2020 Hagia Sophia   CHEERY BLOSSOMS -JAPANMt Fuji              11     2021 coney island Italy impressions Keppel Reflections   Labrador ville Lijang petra Celsius Petra & Celsius 2021 Year of Bull Mid Autumn   Lamentation over the Dead Christ by Niccolò dell’Arca and Andrea Mantegna.   Compianto sul Cristo morto’ (Lamentation over the Dead Christ) by Niccolò dell’Arca The sculptural group of the 'Compianto sul Cristo morto' ('Lamentation over the Dead Christ') by Niccolò dell’Arca is located in the main chapel of the Church of Santa Maria della Vita, Bologna. This dramatic depiction of sorrow and death was commissioned by the Battuti Bianchi around 1463 and consists of a group of life-sized figures – the Madonna and the Three Marys, St John the Apostle and Joseph of Arimathea – weeping over the dead body of Christ, which is laid out between them ready for deposition in the tomb. The Lamentation over the Dead Christ is a c. 1480 painting by the Italian Renaissance artist Andrea Mantegna.[1] While the dating of the piece is debated, is generally believed to have been completed between 1457 and 1501.[2] It portrays the body Christ supine on a marble slab. He is watched over by the Virgin Mary and St. John, who are weeping for his death. The theme of the Lamentation is common in medieval and Renaissance art, although this treatment, dating back to a subject known as the Anointing of Christ is unusual for the period. Most Lamentations show much more contact between the mourners and the body. Rich contrasts of light and shadow abound, infused by a profound sense of pathos. The realism and tragedy of the scene are enhanced by the violent perspective, which foreshortens and dramatizes the recumbent figure, stressing the anatomical details: in particular, Christ's thorax. The holes in Christ's hands and feet, as well as the faces of the two mourners, are portrayed without any concession to idealism or rhetoric. The sharply drawn drapery which covers the corpse contributes to the dramatic effect. Unique to this painting is a design that places the central focus of the image on Christ's genitals - an artistic choice that is open to a multitude of interpretations. Mantegna managed instead to paint a very specific representation of physical and emotional trauma. Mantegna presented both a harrowing study of a strongly foreshortened cadaver and an intensely poignant depiction of a biblical tragedy. This painting is one of many examples of the artist's mastery of perspective. At first glance, the painting seems to be a strikingly realistic study in foreshortening . However, careful scrutiny reveals that Mantegna reduced the size of the figure's feet, which, as he must have known, would cover much of the body if properly represented.[2] Mantegna probably made this painting for his personal funerary chapel. It was found by his sons in his studio after his death and sold off to pay debts. The painting is in the Pinacoteca di Brera of Milan, Italy. Lamentation over the Dead Christ by Niccolò dell’Arca and Andrea Mantegna. From left to right: Bartholomew, James, son of Alphaeus and Andrew form a group of three, all are surprised.  Judas Iscariot, Peter and John form another group of three. Judas is wearing green and blue and is in shadow, looking rather withdrawn and taken aback by the sudden revelation of his plan. He is clutching a small bag, perhaps signifying the silver given to him as payment to betray Jesus, or perhaps a reference to his role within the 12 disciples as treasurer. He is the only person to have his elbow on the table and his head is also horizontally the lowest of anyone in the painting. Peter looks angry and is holding a knife pointed away from Christ, perhaps foreshadowing his violent reaction in Gethsemane during Jesus' arrest. The youngest apostle, John, appears to swoon.  Jesus Apostle Thomas, James the Greater and Philip are the next group of three. Thomas is clearly upset; James the Greater looks stunned, with his arms in the air. Meanwhile, Philip appears to be requesting some explanation.  Matthew, Jude Thaddeus and Simon the Zealot are the final group of three. Both Jude Thaddeus and Matthew are turned toward Simon, perhaps to find out if he has any answer to their initial questions. Source: Ann Kay - Da Vinci and Wikipedia Last Supper, Italian Cenacolo, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan. It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist. The Upper Room Trevi Fountain     PAINTINGS RESIZE/soa-raphael-.webp   Plato and Aristotle At the centre of the School of Athens are Plato and Aristotle. The two men had different pursuits, Plato being engaged with such spiritual ideas as truth, beauty, and justice and Aristotle being concerned with worldly reality.2   PAINTINGS RESIZE/school-of-athens-19-638.webp You’ve definitely seen this painting before, but if you haven’t taken the opportunity to study it closely, you’ve also definitely missed some details.  Commissioned by Pope Julius II to adorn his private library in the Vatican’s Stanza della Segnatura (The Signature Room, a reference to the official documents signed by the Pope there), Raphael painted the fresco around 1510 AD, during the height of the Renaissance’s fascination with Classical philosophy.   There are 58 representations of real historical thinkers in Raphael’s School of Athens, few of which have completely undisputed identities but all of which are composed with great care.   Bologna, St Peter Vatican and Florence   Sagrada Familia The World's Oldest Construction Project | Sagrada Familia God's Architect: Antoni Gaudi's glorious vision Cryptocurrency     12     2022 Churches in Kyiv  - St Cyril, , Volodtymyr ' Cathedral,St Nicholas  St Sophia Cathedral  , St Andrew, St Michael Golden Domed Monastry,, Pechersk Larva,   Milan Duomo 2022 - Year of Tiger    13     2023 2023 Year of Rabbit           David is a masterpiece[1][2] of Italian Renaissance sculpture, created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres (17 ft 0 in David (Michelangelo)   Statue of St. Peter by Giuseppe De Fabris, 1840 .The statue of St. Peter is 5.55m in height, on a pedestal 4.91m high. In his right hand the apostle is holding the keys, symbol of the power promised to him by Christ in Caesarea of Philippi; In his left hand is the scroll bearing the words "ET TIBI DABO CLAVES REGNI CAELORUM' (Mt. 16, 19). One key is silver-plated, while the other is gold plated. Michelangelo’s Moses, Church of St. Peter-in-Chains, Rome, 1513–1515. Jörg Bittner Unna, CC BY 3.0, via Wikimedia Commons.     PROPPHETS OF THE BIBLE         Obadiah   Joel Amos Hosea Isaiah Micah Nahum   Zephania   Jeremiah   Habakkuk   Haggai   Ezekeil   Zechariah   Malachi   Jonah                      Guadalupe  Guadalupe: The hidden message in her eyes Our Lady of Guadalupe -Dan Bruski  The Signs and symbols Music on Mantle Messenger of stars Here are a 10 incredible facts about the Our Lady of Guadalupe image: 1: The image of Our Lady of Guadalupe should have deteriorated, faded, and turned to dust years ago. The image of Our Lady of Guadalupe appears on a tilma made of cactus fibers. The natural life span of a cloak made with fiber from the agave plant is only about 30 years. Despite this the image has remained intact with all its original color and vibrancy for over 475 years. Dr. Aldofo Orozco, a physicist, said that the remarkable preservation of the cloak of St. Juan Diego on which Our Lady of Guadalupe appeared 478 years ago, “is completely beyond any scientific explanation.” 2: Our Lady of Guadalupe's eyes reflect the figures in the room when the image appeared. Satellite imaging expert Dr. Aste Tonsman studied the image using image digitization and made a startling discovery! He saw in the corneas of the eyes of the image a series of people and objects: an Indian unfurling a tilma before a priest, another young man, a half-naked Indian with his lips open and his hands together, pieces of furniture, a ceiling arch, and other details. 3: Our Lady of Guadalupe survived a bomb blast which obliterated everything around the image. In 1921 an anti-clerical radical detonated twenty-nine sticks of dynamite in a pot of roses beneath the tilma. The blast destroyed a marble rail, twisted a metal crucifix and shattered windows throughout the old Basilica but the tilma itself was untouched. 4 : Our Lady of Guadalupe has a heart beat ... and Another, second heart beat for the child depicted in her womb. Carlos Fernandez del Castillo, a gynecologist, examined Our Lady of Guadalupe and listened to her using a stethoscope. Placing his stethoscope below the black band at the waist of Our Lady, he heard rhythmic heartbeats at 115 beats per minute. This is the same beats per minute as that of a baby in the womb. 5: Our Lady of Guadalupe maintains a body temperature Dr. Philip Callahan's 1979 infrared examination discovered that the tilma maintains a constant temperature of 98.6 degrees Fahrenheit. Therefore, Our Lady's image maintains its own body temperature! 6: Our Lady of Guadalupe is not of this earth? In 1936, Our Lady of Guadalupe was analyzed by a Nobel prize-winning chemist, Dr. Richard Kuhn. He analyzed the fibers and coloring of St. Juan Diego's tilma. Dr. Kuhn discovered that the color was not of vegetable, mineral, or animal origin and was not of any known earthly element. The coloring of Our Lady of Guadalupe is, literally, not of nature. It is super-natural. 7: Mary appears as different ethnicities depending on one's vantage point. This miraculous feature is meant to show the unity of the two peoples and cultures in light of the true faith of Christ. There was intense strife between the Spaniards and the native peoples when the Virgin Mary decided to appear to a native man, St. Juan Diego. Mary, thus, implored the peoples of the New World to live as one. Dr. Philip Callahan explains how Our Lady of Guadalupe is able to achieve the effect of varying colors at different distances. It is a trait that is seen only in nature, not paintings: 8: Guadalupe The Tilma remind us of the woman of Revelation 12 who is clothed with celestial bodies. The stars of Our Lady of Guadalupe's mantle should remind us of the crown of stars worn by Our Lady in Revelation, as the Queen of Heaven. 9: Within 8 years of Our Lady's miraculous appearance, 9 million of the native people of Mexico converted to Catholicism ... The crazy thing ..This almost exactly counter-balanced the number of people who fell away from the Church during the Protestant Reformation/Revolution. The Protestants were rebelling against the Church in Europe. Ironically, the Protestant schisms were partly a response to the great respect and veneration that Catholics paid to the Virgin Mary. 10: The miraculous preservation of Our Lady of Guadalupe has been confirmed by NASA! The Tilma remains a source of mystery and fascination for people around the world. I have my thoughts on the authenticity, but what are yours? Did God leave this behind to help ignite non believers or was this created by man and science can prove it? God Bless!! WITNESS OF THE STARS https://www.youtube.com/watch?v=LOHlZom5kj8 The Gospel In The Stars: What the Stars Names Mean & What the Constellations Signify The Mazzaroth - The Gospel in the Stars - Act I     Act2   Act3                14     2024       2024 Year of Dragon     The Cardo Jerusalem’s street plan included a Cardo. It was a paved, 22.5 meter-wide road running southward from the Damascus Gate. The Main Street The central street of the Cardo is 40 feet (12 m) wide and is lined on both sides with columns. The total width of the street and shopping areas on either side is 70 feet (22 m), the equivalent of a 4-lane highway today. This street was the main thoroughfare of Byzantine Jerusalem and served both residents and pilgrims. Large churches flanked the Cardo in several places.Uncovered by Nahman Avigad’s team in the 1970s, the Cardo in the Jewish Quarter was excavated for about 650 feet (200 m). This portion dates to the time of Emperor Justinian in the first half of the 6th century AD. An earlier portion of the Cardo was constructed in the Roman period beginning at the modern Damascus Gate in the north, but it didn’t stretch this far south until centuries later.   Cardo                       Taroko Gorge  太魯閣 登山- 砂卡礑步道，走進神祕谷｜記得先去走小錐麓 / CP值最高的太魯閣的步道。           Holy Monastery of Great Meteoron Holy Monastery of Varlaam Holy Monastery of Rousanou Holy Monastery of St. Nicholas Anapafsas   Holy Monastery of Holy Trinity   Holy Monastery of St. Stephen      15     2025 my new PAINTINGS are coming   Corypha umbraculifera, TalipotPalm 棕搁科，贝叶棕属，贝叶棕 原产． 斯里兰卡，印度。 •       约30-80年才开花—次。 •       开花结果后，就结束生命。 •       早期寺院的僧侣，用经过处理后的叶子来撰写经文，称为贝叶经。 •       果实可以加工做成纽扣。 •       为佛教界的五树六花中的—种。 Growth Form Corypha umbraculifera has a solitary trunk, which can grow up to 27 m high with a trunk diameter up to 90 cm. Trunk is ringed with fallen leaf base scar. It can live up to 80 years. Foliage Leaves are large (up to 2.1 m long and 6 m wide), fan-shaped with petiole (up to 4m long) armed with black teeth. There is a large hastula at the juncture of leaf blade and leaf stalk. Flowers It produce one inflorescence at the terminal end. The inflorescence is about 9 m tall and 12 m wide, making the largest inflorescence in the world. Inflorescence comprises roughly of 24 million tiny yellowish-white flowers. Corypha umbraculifera flowers just once in its lifetime and dies afterwards. Fruit Fruit is round (3 – 8 cm diameter) and ripens from green to brown. Cultivation It grows well on well drained and fertile soil. It also requires a lot of space to grow and reach its maximum height. Fresh seeds germinate within 120 days. Etymology The genus name Corypha is greek for summit, referring to the giant terminal inflorescence. The epithet umbraculifera is latin for shade bearing, an allusion to the giant leaves and huge crown. Ethnobotanical Uses Food (Fruit or Vegetable) Others: Starchy pith are harvested to make alcoholic beverages and palm heart is eaten as a vegetable. Leaves are used for thatching .    猴面包树区  boabat Adansonia spp 锦葵科猴面包树属猴面包树 • 共包括8种，非洲大陆(1种）、马达加斯加(6种）和澳洲(1种）。猴面包树高达5至 30米。其树枝长得像树根—样，树干非常粗，直径可以到达7至11米粗，需要几十个人手拉肴手才能合抱一圈。通常可活500年，但一般相信有些树已有5000年的寿命。 • 叶子在旱季时俞掉光，树枝很像插入天空的树根，故也被称为倒栽树＇。 • 树干有储存水的作用，储存量可达12万公升。在沙漠氛候旱季的峙候，它的叶子含掉光，以减少水份的蒸发，靠储存的水份，等待下一佪雨季。 • 嫩叶可以煮来当蔬菜吃。花可以作欴料和糖果。果实能当主食食用。 • 树干纤维可以作绳索或手工艺品。     GOPURAM- MARIAMAM 马里安曼兴都庙的印度宝塔     SULTAN MOSQUE 苏丹回教堂   THIEN HOCK KENG 天福宫   PADANG- NATIONAL GALLERY 大草场 新加坡国家美术馆 政府大厦 和 前高等法院     KAMCHENGS 土生华人     LIVING THE LIGHT    Momentum”   Singapore Soul Painted with bright colors, this metal symbolic sculpture is one that is hard to miss. Standing at 18.5 metres tall, it is Singapore’s tallest public sculpture. “Momentum” is made up of human-shaped figures side by side, depicting the upward spiral of progress, energy and momentum, very much like the precinct it is located in and the people who work in it.         This sculpture signifies the unity, harmony and multiculturalism of Singapore and its people, and features the words, “equality”, “justice”, “happiness” and “prosperity” from Singapore’s National Pledge. The mixture of words and alphabets in various languages form the entire structure and serves as an expression of how essential and powerful communication can be in uniting a community. Plensa explained that the different languages and diverse cultures in Singapore encompasses the very ‘soul’ of the country. Shaped like a seated human figure with knees tucked in, the Singapore Soul Sculpture glows white at night. Do walk inside and be embraced by its words.